Pitch Me Classical

Round of applause, please! YolanDa, Hugh and Simon evaluate the pros and cons of applause, sharing their experiences both in the concert hall and beyond. Why do we clap, when should we clap, and what’s the etiquette? Together they cover pieces where people clap when they shouldn’t, pieces where it simply feels wrong to show your appreciation by clapping, and rock and jazz concerts where it’s common to clap every few minutes. But this episode isn’t just about putting your hands together - they also discuss whether fish should be allowed in concert halls and the simplistic beauty of painting a shed. Plus, there’s fierce competition to work out who has the best-sounding clap in the end-of-episode quiz…#PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

When asked to name a classical composer, why does everyone always say Mozart? He’s one of classical music’s most famous composers (perhaps THE most famous), but does he deserve his reputation, and is he the G.O.A.T.*? YolanDa, Mark and Alice discuss Mozart’s high points and low points, his best pieces and his worse, and how he writes for different instruments. They also touch on what’s special about him and whether other composers are more deserving of fame. Plus, this episode’s quiz reveals strong opinions on which of his three names would make the best name for a pet…*Mark has now learnt a new acronym.#PitchMeClassicalInstagram: @londonphilharmonicorchestra TikTok: @lporchestraBluesky: @lporchestraFacebook: @londonphilharmonicorchestra YouTube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

Welcome to Pitch Me Classical! Saxophonist and presenter YolanDa Brown and players from the London Philharmonic Orchestra pitch their thoughts on some of classical music’s most-asked questions, with plenty of chit-chat and laughter along the way. Instagram: @londonphilharmonicorchestraTikTok: @lporchestraFacebook: @londonphilharmonicorchestraYoutube: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.

YolanDa Brown takes us through some of the best bits of Series 7. Why do trumpets transpose, and do they enjoy it? How has recording film music changed over the years? And what does retirement look like for orchestral musicians? Plus, singer Brindley Sherratt shares his top tips on preparing to sing an operatic role.With trombonist Mark Templeton, violinist Minn Majoe, horn player Mark Vines, tuba player Lee Tsarmaklis, double bass player Simon Carrington, trumpeter Anne McAneney, bass Brindley Sherratt, clarinettist Thomas Watmough, conductor Ed Gardner, composer Colin Matthews, violinist Geoffrey Lynn, oboist Joan Graham, and bassoonist Gareth Newman.That’s it for now from LPO Offstage. Thanks for joining us along the way and stay tuned as we’ll be back soon with a brand new podcast.Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Hosted on Acast. See acast.com/privacy for more information.