The History of Egypt Podcast

The plan of an honest ruler. Around 1300 BCE, as today, gold was big business. King Sety I personally led an expedition into the eastern desert, to establish a new mining operation. Back in the Nile Valley, high-ranking officials leave monuments testifying to their work delivering, securing, and recording that gold. And thanks to art and artefacts, we can reconstruct the items these gold-workers produced. From the Red Sea Mountains to the Temple of Abydos, we follow the paths of gold… Logo image: Silver and gold statuette of a New Kingdom pharaoh, possibly Sety I (Louvre). For records of Sety and his contemporaries, see Kenneth Kitchen. Ramesside Inscriptions, Volume I. Versions: Hieroglyphs; English translations; References and Commentary. Photos of Sety’s Temple at Kanais in the Wadi Barramiya. Sety’s monuments including the Abydos and Kanais temples, in P. J. Brand, The Monuments of Seti I: Epigraphic, Historical and Art Historical Analysis (2000). Available free online at Academia.edu. Website: www.egyptianhistorypodcast.com. Support the show via Patreon www.patreon.com/egyptpodcast. Make a one-time donation via PayPal payments. Music and interludes by Keith Zizza www.keithzizza.net. Music and interludes by Luke Chaos www.chaosmusick.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sety in the Desert. Around 1300 BCE, King Sety led an expedition into the Red Sea hills. His purpose? Gold. The King brought soldiers and charioteers out to mine precious metals for his treasuries. The journey was difficult, traversing a dry and rocky landscape far from the comforts of home. Fortunately, Sety left detailed descriptions of the event; and art and artefacts from this era allow us to reconstruct the journey... Episode details: Logo image: Soldiers make camp, setting up tents for commanders. Tomb of Horemheb at Saqqara (Martin 2016). Website: www.egyptianhistorypodcast.com. Support the show via Patreon www.patreon.com/egyptpodcast. Make a one-time donation via PayPal payments. Music and interludes by Keith Zizza www.keithzizza.net. Music and interludes by Luke Chaos www.chaosmusick.com. The Wadi Barramiya, in which Sety’s expedition travelled, by Hakatani Tenfu at Flickr.com. The Kanais Temple of Sety I, in the Wadi Barramiya, by Mutnedjmet at Flickr.com. Select bibliography: A. Dodson, Sethy I King of Egypt: His Life and Afterlife (Cairo, 2019). H. Gauthier, ‘Le temple de l’Ouâdi Mîyah (el Knaïs)’, Bulletin de l’Institut Français d’Archéologie Orientale 17 (1920), 1--38. Available online. K. A. Kitchen, Ramesside Inscriptions Historical and Biographical, I (Oxford, 1975). R. Klemm and D. Klemm, Gold and Gold Mining in Ancient Egypt and Nubia: Geoarchaeology of the Ancient Gold Mining Sites in the Egyptian and Sudanese Eastern Deserts (Berlin, 2013). G. T. Martin, Tutankhamun’s Regent: Scenes and Texts from the Memphite Tomb of Horemheb (EES Excavation Memoir 111; London, 2016). C. D. Reader, A Gift of Geology: Ancient Egyptian Landscapes and Monuments (Cairo, 2022). R. D. Rothe et al., Pharaonic Inscriptions from the Southern Eastern Desert of Egypt (Winona Lake, 2008). B. M. Sampsell, The Geology of Egypt: A Traveler’s Handbook (Cairo, 2014). See website for complete listing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ramesses Rising. Traditionally, Egyptian princes are almost invisible. The pharaohs downplayed the presence of their sons, to reduce political competition and maintain religious order. Sety I (c.1300 BCE) changed this habit. In art and monuments, he promoted young Ramesses II to a position of prominence and power. The exact nature of this promotion is slightly controversial among Egyptologists. In this episode, we explore Ramesses’ rise and some of the thorny issues. Additionally, Prof. Peter Brand joins us to discuss some of the harder questions on these period. Peter Brand, The Monuments of Sety I (2000), available free at Academia.edu. Peter Brand, Ramesses II: Egypt’s Ultimate Pharaoh (2023) available from Lockwood Press. Music and interludes by Keith Zizza www.keithzizza.net. Music and interludes by Luke Chaos www.chaosmusick.com. Outro music: “River Lullaby” from The Prince of Egypt (1998) – Harp cover by The Knitting Harpist (YouTube). The History of Egypt Podcast: Website: www.egyptianhistorypodcast.com. Support the show via Patreon www.patreon.com/egyptpodcast. Make a one-time donation via PayPal payments. Music and interludes by Keith Zizza www.keithzizza.net. Music and interludes by Luke Chaos www.chaosmusick.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Temple of Sety I at Abydos, an out-of-the-way corridor preserves a unique image. The King of Egypt, and his eldest son, wrangle and subdue a bull. This scene appears simple, at first glance. But it has a wealth of deeper symbolism and meanings. In this episode, we explore the idea of Bulls as images of power and violence, and their relationship with gods like Osiris and Seth… Episode logo: Ramesses and the Bull, by artist Brenna Baines (commissioned by The History of Egypt Podcast). Full version available on my Patreon (link below). The Bull Hall photos by Heidi Kontkanen at Flickr.com. The Bull Hall in Peter Brand, Monuments of Sety I (2000) available free online. The History of Egypt Podcast: Website: www.egyptianhistorypodcast.com. Support the show via Patreon www.patreon.com/egyptpodcast. Make a one-time donation via PayPal payments. Music and interludes by Keith Zizza www.keithzizza.net. Sound effects purchased from Pond5. Select Bibliography: M. Abuel-Yazid, ‘Architecture of the Slaughterhouse of the Seti Temple at Abydos’, in I. Regulski (ed.), Abydos: The Sacred Land at the Western Horizon (2019), 7—24. L. Baqué, ‘“On that Day When the Long-Horned Bull was Lassoed...” (PT [254] 286). A Scene in the “Corridor of the Bull” of the Cenotaph of Sethos I in Abydos: An Iconologic Approach’, Studien zur Altägyptischen Kultur 30 (2002), 43—51. P. J. Brand, The Monuments of Seti I: Epigraphic, Historical and Art Historical Analysis (2000). Available free online. R. H. Wilkinson, The Complete Gods and Goddesses of Ancient Egypt (2003). J. M. Galán, ‘Bullfight Scenes in Ancient Egyptian Tombs’, Journal of Egyptian Archaeology 80 (1994), 81—96. See website for complete reference list. Learn more about your ad choices. Visit megaphone.fm/adchoices