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Secession Podcast

Vienna Secession
Secession Podcast
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  • Artists: Ariane Mueller in conversation with Jeanette Pacher
    Ariane Mueller talks with curator Jeanette Pacher not only about her current exhibition in Secession’s iconic exhibition hall, but also speaks about her experience of initiating projects, sharing space, ideas, and resources, and the importance of collaborating – providing broader insight into her creative practice and understanding as an artist. This episode was recorded on 3 June 2025, a week after the opening of Ariane Mueller’s exhibition: Ariane Mueller Fish are folded into the sea just as the sea is folded into fish 29.5. – 31.8.2025 Ariane Mueller’s preoccupation with war, which is at the heart of the exhibition Fish are folded into the sea just as the sea is folded into fish, has a long and complex history. Decades ago, in the early 1990s, she came into contact with the conflict in Yugoslavia through her work on the art magazine Artfan (1991–1996), which she edited together with the artist Linda Bilda. Slovenian writers wanted to place articles in Artfan in which they called for arms supplies to their country in support of its war with Serbia. Unsure how to handle the situation, the artists travelled to Zagreb shortly after the war began. As a delegate to the United Nations for many years, Mueller was later also faced with the Iraq War. More Ariane Mueller – born in Vienna – studied in Barcelona – Austrian delegate to UN-HABITAT from 1996 to 2013 – based in Berlin since 1995 – editor of Artfan, Vienna (1991–1996) – from 1998 to today co-editor of Starship, Berlin – publisher, Starship Verlag – novelist: Handbuch für die Reise durch Afrika [Handbook for Traveling Through Africa], 2013 – visual artist exhibiting internationally: MCA Sydney Museum Ludwig Cologne, Akademie der Künste Berlin, Berlin Biennale, Havana Biennale – exhibition curator: Werkleitz Biennale: Common Property 2004; Dispossession, Künstlerhaus Wien 2021; on mimesis and other mild disOrientations in space, WAF Gallery, Vienna 2023 on the theme of one’s own disappearance in the gaze of the other (as happens in engaging with all forms of artificial intelligence). Jeanette Pacher is a curator at the Vienna Secession since 2007. She is a regular lecturer in the Department of Site-Specific Art at the University of Applied Arts Vienna, and since 2023, a jury member of KÖR – Art in Public Space Vienna.   Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Jeanette Pacher
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  • Artists: Francis Offman in conversation with Kamogelo Walaza
    This episode was recorded on 22 May, during the installation of Francis Offman’s solo exhibition at the Secession. Kamogelo Walaza, a curatorial fellow from South Africa, spoke with the artist about his work and the exhibition: Francis Offman Weaving Stories 29.5. – 31.8.2025 The walls of the stairwell that leads to Francis Offman’s exhibition Weaving Stories are covered in dried coffee grounds. The dark tactile material transforms the narrow entrance to the exhibition space on the first floor into an immersive olfactory experience. More The works of Francis Offman consist of canvases (not mounted on stretchers) with irregular contours, featuring paintings that emerge from the associations of sections of vivid, flat, uniform colors, and collage zones made with the insertion of scraps of paper – thin or thicker sheets, salvaged from bread wrappers or shoeboxes – which enter the composition like rips or wounds. An encounter that only on occasion makes elements emerge that can be traced back to the real: a dry tree, a mountain, a portion of water, earth or sky … Offman’s pieces are free compositions that imply fragile references, minimal and understated, to a faraway world (Africa and Rwanda, where the artist spent some of his childhood) and its customs, a traumatic memory and an uncertain identity; jagged, dynamic spaces that cannot give rise to an integral landscape. (Davide Ferri) Francis Offman was born in Butare, Rwanda, in 1987 and now lives in Bologna, Italy. Kamogelo Walaza is a curatorial fellow at the Secession from May to June 2025 as part of the FOCUS INTERNATIONAL programme of the Austrian Federal Ministry for Housing, Arts, Culture, Media and Sport. She is a curator, writer, arts and cultural educator and ethnographer, born in Bloemfontein and based in Johannesburg. She holds a Postgraduate degree in Applied Drama and Theatre and a BA Honours in Drama Therapy from the University of the Witwatersrand, as well as a BA in Corporate Communication, an Honours in Communication Studies, and an Honours in Public Management and Governance from the University of Johannesburg. Walaza received the Marshall Kander Drama for Life Award for her research on HIV/AIDS awareness through applied drama. She recently completed a distinction-awarded autoethnographic paper titled Memories in Her Blood.   Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr
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  • Artists: Aglaia Konrad im Gespräch mit Jeanette Pacher
    Stein ist in unser aller Leben omnipräsent, nicht zuletzt in Form der Architekturen, in denen wir wohnen und arbeiten. Mit deren Utopien und Widersprüchen beschäftigt sich Aglaia Konrad in Filmen, Fotografien und Skulpturen. Die Künstlerin ist in den Alpen aufgewachsen. Seitdem begleitet Stein als Urmaterial, das Felsformationen, Berglandschaften, aber auch Architektur bildet, ihr Schaffen. Mehr erfahren
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  • Members: Florian Pumhösl in conversation with Elisabeth Kihlström
    This episode of Secession Podcast: Members features artist Florian Pumhösl in conversation with artist colleague Elisabeth Kihlström. It was recorded at the Secession on 7 November 2024. Florian Pumhösl, born 1971, is an artist based in Vienna and Munich. Focussing on abstract vocabulary he has been working mostly on reliefs and drawings for the past years. Recent solo exhibitions have been held at Miguel Abreu Gallery in New York, Galerie Buchholz in Berlin, and at Dvir Gallery, Paris.   Elisabeth Kihlström, born 1988 in Sundborn, Sweden, is a visual artist based in Vienna. Working with sculpture, textile, installation, performance, and film, her recent practice focuses on handwoven sculptures made from metal and horsehair. She was awarded the Dorothea von Stetten Art Award in 2024. Recent presentations include Kunstmuseum Bonn, Contemporary Art Factory Kyoto, Black Forest Institute (BIA) and MUMOK Kino. In June 2025, she will present new work at BEK Forum, Vienna. Kihlström is also co-editor of Agency, a Vienna-based publishing initiative. Secession Podcast: Members is a series of conversations featuring members of the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Jeanette Pacher
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  • Artists: Ana Vaz in conversation with Damian Lentini
    This episode is a conversation between the artist Ana Vaz and the curator Damian Lentini. It was recorded on 7 March, 2025 in the context of the exhibition: Ana Vaz Meteoro  8.4. – 18.5.2025 In her film-poems artist and filmmaker Ana Vaz collages images and sounds that revolve around violence and repression, the impact of ecological ruin and the continued colonization of the earth. The deconstruction of the grand narrative of Western modernity that imposes itself across vast territories on this planet lies at the heart of her filmography. In her exhibition at the Secession, Vaz showcases her new film series Meteoro (2023–). Predominantly focusing on Paris and Porto, European cities are depicted as on the verge of collapse or on the path to extinction. More Ana Vaz is an artist and filmmaker born in the Brazilian midwest inhabited by the ghosts buried by its modernist capital: Brasília. Originally from the cerrado and wanderer by choice, Ana has lived in the arid lands of central Brazil and southern Australia, in the mangroves of northern France and in the northeastern shores of the Atlantic. Her filmography activates and questions cinema as an art of the (in)visible and instrument capable of transforming human perception, expanding its connections with forms of life — other than human or spectral. Her film-poems are marked by a constant experimental defiance to the poetic forms of contemporary cinema, highlighting the profound contradictions of our time and questioning, above all, the destructive practices of colonial modernity. Consequences or expansion of her cinematography, her activities are also embodied in writing, critical pedagogy, installations or collective walks. Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Production: Damian Lentini, Jeanette Pacher
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Über Secession Podcast

Secession Podcast is a digital series created by the Secession in 2022. In conversations with artists, curators, and theorists, the podcast series offers interesting insights into the Secession’s exhibition programme of twelve to fifteen contemporary art shows every year. The program also features discussions on current issues, as well as experimental sound formats and – creating an oral history archive – conversations between members of the Association of Visual Artists, who share their personal recollections and reflect on the 125-year history of this unique artist-run institution.
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