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Tonebenders Podcast

Podcast Tonebenders Podcast
Tonebenders Podcast
Tonebenders is a Sound Design podcast dedicated to covering the worlds of sound editing, field recording and audio post production for film, television and gami...
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  • 284 - Beetlejuice BeetleJuice
    Beetlejuice Beetlejuice is the kind of film that feels like anything can happen at any time. The wild sound design plays a large role is setting up that feeling of comedic unease. Supervising Sound Editor Jimmy Boyle, Re-Recording Mixers Chris Burdon & Gilbert Lake, Supervising Dialogue Editor Buster Flaws and Music Consultant & Arranger Mike Higham, join the podcast to talk about their bizarre adventures to create the sounds of Beetlejuice BeetleJuice. From re-creating classic rock tracks from scratch to using their own voices to create the sounds of the underworld, lots of creative thinking was needed. This episode was recorded at Formosa Trident studios, in London. This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. https://www.sound-ideas.com/Product/2400/Just-Wind-Sound-Effects- Check out Sonic Days website for full info about this amazing sound conference https://sonicdays.com Listeners in the Toronto area, mark your calendars for Dec 3rd at 7pm for the Toronto Tonebenders Sound Deign Meetup, Presented by The Motion Picture Sound Editors. It will be at The Pilot on the main floor. Show Notes: https://tonebenderspodcast.com/284-beetlejuice-beetlejuice/ Podcast Homepage: https://tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
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  • 287 - Tonebenders Goes To TIFF
    This past September, Tonebenders' host Tim Muirhead got to cover The Toronto International Film Festival. In this episode he interviews the sound teams behind some of the films he saw at TIFF '24. The main interview is with Eugenio Battaglia and Michael Babcock who did the sound work behind the psychological horror, Heretic. Next, Katie Halliday drops by to talk about her work as supervising sound editor on the boxing film The Fire Inside. Next up Zach Goheen and Juan Campos discuss the sound design of The Last Showgirl. Finally director Olivier Sarbil sits down for a one on one about his sound focused documentary, Viktor. 7:00 Heretic 30:51 The Fire Inside 40:52 The Last Showgirl 54:36 Viktor This episode is brought to you by Sound Ideas, check out their latest sound effects library Fight Foley Sound Effects https://www.sound-ideas.com/Product/2404/Fight-Foley-Sound-Effects Show Notes: https://tonebenderspodcast.com/287-tonebenders-goes-to-t-i-f-f/ Podcast Homepage: tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
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  • 286 - How To Successfully Work With Your Post Supervisor
    Gemma Nicholson made the leap from being a busy sound editor to a successful post production supervisor. It is not a typical career path, but it gives her insight into the sound work done on any given project. This differentiates her from many other post supervisors, that might not have this built-in knowledge. In this interview she gives us her advice on how to get the most out of a working relationship with your post production supervisor. We discuss how to ask for more budget, how to set expectations, all the other departments that they deal with and lots more. This episode is brought to you by Sound Ideas, check out their latest sound effects library Fight Foley Sound Effects https://www.sound-ideas.com/Product/2404/Fight-Foley-Sound-Effects Check out the sonic Days Conference next week in Kolding. Denmark. Full Details at https://sonicdays.com Show Notes: https://tonebenderspodcast.com/286-how-to-successfully-work-with-your-post-supervisor/ Podcast Homepage: https://tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
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  • 285 - The Sound Of Arrival
    285 - The Sound Of Arrival by Tonebenders Podcast
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  • 283 - Anora
    The Palme D’or winner from this year’s Cannes Film Festival, Anora is the latest film from director Sean Baker. Anora is also one of my favourite movies of the year so far. Co-supervising sound editors (and also the re-recording mixers) Andy Hay and John Warrin discuss how they molded the sound of this film. The film was largely shot docu-style with lots of overlapping dialogue and real life sound obtrusions, and a significant amount takes place in dance clubs with loud music blaring. These combined to make sound edit and mix particularly challenging. Check out www.sonicdays.com to register and learn all the details on this amazing sound conference happening in Kolding, Denmark from Nov. 19th-21st. This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. https://www.sound-ideas.com/Product/2400/Just-Wind-Sound-Effects- Show Notes: https://tonebenderspodcast.com/283-anora/ Podcast Homepage: https://tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
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